By rephotographing the material Sebald brought to him, Michael Brandon-Jones played a critical role in helping the writer achieve a tonal consistency between text and image.
Though Link’s stories often keep closer bedfellows with Karen Russell and Aimee Bender, her novel is pulpier and more bathetic, in some ways a piece of straight fantasy.
In someone else’s hands, these stories might be little more than typeset urban legends, the stuff of 2000s-era AOL email chains, but Sims renders them as something both terrifying and mesmerizing.
Bang out hundreds of pages of rhyming couplets about something other than your identity or your perceptions, and you, too, will likely fall out of love with lyric poetry.
When we have a child or teen at the center of a story, is the categorical difference between YA and adult in the plot, the stakes, or the voice and tone?
'The MANIAC' is a kind of triptych, presenting us with the conception, painful birth, and exponential growth of the digital computer and its own disquieting offspring, artificial intelligence.
